From Publishers Weekly

Intrepid reporter and comics artist Sacco returns to Bosnia and Sarajevo to chronicle Neven, a "fixer" who leads Western reporters to stories, dispensing information and literally guiding them through the fascinating, dangerous landscape of post-war Sarajevo and Bosnia. Neven worked for Sacco (Safe Area Gorazde) when he wrote his previous book about the Bosnian war. Initially suspicious of him, Sacco gradually realized Neven's own story-a microcosm of the Balkan conflict itself-may be the most compelling story of all. A native Sarajevan, Neven watched as rebel Serb nationalists armed themselves against an unarmed multi-ethnic Sarajevo and Bosnian Republic. Neven eventually fought to defend Sarajevo as his city was torn apart. He joined criminal gangs, thieves and borderline sociopaths-warlords who often defied the government-who ultimately took up the call to defend the Bosnian Republic. Wounded in combat, Neven became a fixer but was intimately involved-as a legitimate soldier, guerilla irregular and victimized citizen-in every aspect of the bloody conflict. He's really selling Sacco his own story ("Can you imagine the sort of movie that could be made about bastards like me?"), and Sacco marvelously weaves in his own feelings of uneasiness and awe at his guide's grim life story. The tightly wound, humane and suspenseful nonfiction graphic novella employs visual devices-e.g., the haunted, unreliable protagonist, obscured by shadow and cigarette smoke-from the best traditions of film noir. Sacco's finely wrought, expressively rendered b&w drawings perfectly capture the emotional character of Sarajevo and the people who struggle to live there. This superlative and important story is easily one of the best comics nonfiction works of the year.
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From School Library Journal

Adult/High School-Sacco's second graphic novel set in Bosnia and Sarajevo follows the author's real-life relationship with Neven, a "fixer"-one who, for cash, leads foreign journalists through the fragmented postwar landscape and sniffs out the grittiest "underground" news stories for them. Film noir conventions prevail in the black-and-white art and story-the shifty, unreliable narrator speaks amid the shadows and smoke-and the ambience is one that teens will find seductive. Neven's tales of his days as both a legitimate soldier and a guerilla gang member are interesting; even more compelling are his descriptions of the ways in which certain ruthless, sociopathic fighters became, bizarrely, bubblegum idols, their looks fantasized over and their deeds lauded in pop songs. The story is told in fragments, flashbacks, and flashforwards; what readers will gain is less a "practical" knowledge of the war and its aftermath and more a deep, realistic, and dizzying sense of the time. The book was not created with promoting "war awareness" as a primary goal, which is probably what makes it so realistic. War is not clear-cut and easily described in a narrative with a traditional beginning, middle, and end. It is full of jagged edges, and, while not difficult to follow, The Fixer, accordingly, reads like the equivalent of a roomful of broken mirrors. It will leave teens feeling stunned, intrigued, and changed.
Emily Lloyd, formerly at Rehoboth Beach Public Library, DE
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.