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The Day of the Locust (Library of America)
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Amazon.com Review
In 1940, when an automobile accident prematurely claimed Nathanael West's life, he was a relatively obscure writer, the author of only four short novels. West's reputation has grown considerably since then and he is now considered one of the 20th century's major authors. This superb volume, edited by Sacvan Bercovitch, compiles all of West's novels and a great number of other documents, including stories, plays, and letters. Novels and Other Writings is the most complete West now available in a single volume. Film buffs will be particularly fascinated by Miss Lonelyhearts, which served as the basis for two intriguing movies and The Day of the Locust, West's final novel, which many consider to be the most withering attack on Hollywood ever written. Among the papers included in this collection are a never-filmed screenplay, Before the Fact, and a screen treatment of West's novel A Cool Million.
From Library Journal
When he was just 37, West?and his wife?died in a car wreck while rushing home from a hunting trip to attend the wake of fellow novelist and screenwriter Scott Fitzgerald, who died unexpectedly the previous day. The two friends were waked in adjoining rooms at the same Los Angeles funeral home. This volume combines West's novels?The Dream Life of Balso Snell, Miss Lonelyhearts, A Cool Million, and The Day of the Locusts, considered by many to be the best novel about Hollywood ever written?the play Good Hunting, plus a screenplay, some shorter fictional pieces, and a selection of his letters. If your collection is shamefully lacking in West, this splendid volume gives you virtually his entire career. One of the finest collections of the year.
Copyright 1997 Reed Business Information, Inc.

14/06/2002
Little known during his lifetime, Nathanael West is today considered one of the 20th Century's most influential authors, a writer whose pitch-black satires focus on the emptiness of an American society choking on its own regurgitated mythology. His reputation rests squarely upon two works: MISS LONELYHEARTS, the tale of a newspaper advice columnist who is overwhelmed -but while it has a number of fascinating ideas and conceits, it is at best an interesting failure. A COOL MILLION, West's third novel, is a satire on the Horatio Alger myth; it is considerably more readable than SNELL, but it lags far behind both LONELYHEARTS and LOCUST.
The rest of the anthology consists of a failed Broadway play, an unfilmed screenplay, unpublished stories and fragments, juvenalia, and personal letters. Both the play and screenplay--GOOD HUNTING and BEFORE THE FACT respectively--are written very much against the grain; it is not difficult to see why the play failed and director Hitchcock (who filmed BEFORE THE FACT as SUSPICION) ordered a completely new script. The remaining items are mediocre at best, dire at worst, and although West's letters are interesting from a historical standpoint they have no literary merit per se.
West's life was cut short -but it's importance is largely of an academic nature rather than a literary one, of more interest to the serious student of American literature than to a casual reader. If you fall into the latter catagory, I strongly recommend that you read MISS LONELYHEARTS and DAY OF THE LOCUST (both of which are available in inexpensive editions) rather than purchase this particular volume--and only after, if you like so many others among us find yourself fascinated by West's work, contemplate purchase of this anthology.

29/04/2000
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Thanks to the efforts of a bunch of Harvard grad students, this is the only book you need to become a cocktail party expert on Nathanael West (born Nathan Weinstein, 1903; died in Hollywood in 1940). My favorite part of the book is the capsule biography in the back. He drops out of high school (like me!) and alters his transcript to get into Tufts. He flunks out of Tufts but gets hold of a transcript for another Nathan Weinstein, who was apparently a pretty good student. He uses this to get into Brown and becomes an Ivy League graduate in 1924.
Oh yes, the writing... West's prose could easily pass for a New Yorker story circa 1985. Furthermore, his characters behave a lot like our contemporaries. None of this struck me as remarkable but I think it accounts for why he was so widely admired like young man, Lemuel Pitkin, goes out to make his fortune in what a variety of Panglosses keep telling him is the Land of Opportunity. As in a Horatio Alger story, Pitkin meets a lot of rich and powerful men who are in a position to help him. West departs from Alger in that Pitkin is cheated and mutilated by all of his encounters with the rest of humanity.
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