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Fallout
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From School Library Journal
Gr 9 Up–Kristina, the meth-addicted antiheroine of Crank (2004) and Glass (2007), has five children by four different men. Fallout is about the lives of her three oldest children. Hunter lives with his grandmother in Nevada. He cheats on his girlfriend and smokes a lot of dope. Autumn lives with her sweet aunt and gruff granddad in Texas. She has OCD and knows little about her mother. Summer lives in a trailer in California with her father and a string of abusive/slutty/stupid girlfriends. She hates pretty much everyone. Hopkins's not-quite poetry is as solid as ever, though her use of visual formations gets more mystifying and extraneous with each novel. Unfortunately, it's unlikely that Glass is fresh in the minds of most readers. As such, the Venn diagram of Kristina's baby-daddies, parents, grandparents, aunts, uncles, and drug buddies -is impossible to follow, and may frustrate even the most interested readers. So much deciphering cripples the pace of Fallout. The plot is choked with the perpetual damage of meth addiction–there's too much message and not enough action. Hopkins spreads the narration too thin between three unlikable narrators, and none is ever fully realized. The mood here is just as depressing and cautionary as Glass, and Hopkins's presentation is even more self-indulgent.Johanna Lewis, New York Public Library
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
From
Simply put: if you liked Crank (2004) and Glass (2007), this trilogy finale will not disappoint. Hopkins shifts the point of view from meth-user Kristina to her three teenage kids; it’s a brilliant tactic that shows just how deeply others are affected by a single person’s addiction. Before it’s over, the three kids—Hunter, Autumn, and Summer—will experience anger, longing, loneliness, drugs, pregnancy, homelessness, and even, believe it or not, hope. Hopkins’ free-verse stanzas are as engaging as always, though prose this observant and strong would be powerful even if arranged in standard paragraphs. An emotional, satisfying end (and a new beginning, in a way) to Kristina’s story. Grades 10-12. --Daniel Kraus

22/11/2010
Love Ellen Hopkins bold bravery when it comes to revealing the crude reality the average teen faces every day that most people would rather cover up and pretend dosent truely exist.
As for the crank series I fell in love with crank and glass, and began to fall in love with fallout making due with the repetitive spelling errors until midpoint of the book when I began to get the feeling Ellen Hopkins has let the fame get to her head. She gets to carried away restating repetitively how famous her books have made her. I was also disappointed with the ending outcome of the book leaving so many questions unanswered, to the point it felt as if there was no real ending and pages were indeed left out. I hope to see better outcomes in her future books to
come this following year, and hope to see more dedication on behalf of her editors and publicist.

14/09/2010
Nineteen years after the conclusion of Glass and four children later, Kristina Snow is still a slave to the monster that irrevocably altered her life the summer she visited her father. Only now, it's her children's turn to tell the story. Alternating between the point of view of Kristina's three oldest, Hunter, Autumn, and Summer, Fallout chronicles their very different lives and the ways that Kristina's decisions have affected them, and how, even though they barely know each other, they each struggle with the very same issues of addiction, anger, depression, and disappointment in a parent who can never be the person they want her to be.
Fallout is a powerful book and an entirely fitting conclusion to Ellen Hopkins' trilogy that started with Crank, based on her own daughter's struggles with addiction. Flashing forward nineteen years into the future may have been a little unexpected, but it is the perfect way to demonstrate to readers the prolonged and far-reaching effects of addiction and bad decisions. Hopkins does an excellent job at steadily building up the story thorough her inventive and diverse poems, she creates a good amount of suspense by switching back and forth between Hunter, Autumn, and Summer, and it's not hard to draw parallels between mother and children.
Hunter's story is engaging as he is one of the closest connections to the first two books, and he fills in a lot of gaps of missing information, allowing readers to piece together what has happened since his birth for themselves. Autumn, who is oblivious to her mother's identity and hardly knows anything about her parents, is a fascinating character and her struggles and desire to know where she comes from is emotional and even a little turbulent as she reaches out for human connection in any form. Readers will see a lot of Kristina in Summer, but Summer is also determined not be her mother, despite her mistakes that will try to lead her in that direction. She and her siblings, unlike their mother, have the consequences of bad choices and mistakes laid out before them, and live them every day, but yet they still grapple with temptation and each faces moments when they must make decisions that will dramatically alter their futures.
There is plenty of great emotional depth throughout the book, but power of this final installment lies in the moment when Hunter, Autumn, and Summer look at Kristina and are unable to understand her, yet can't help from seeing a part of themselves in her. This is an impacting and perfect conclusion to such a weighty and commanding trilogy, full of unexpected discoveries and mistakes, but also love, hope, and perhaps, redemption.

14/09/2010
I don't know how to put into words what I feel about these books. They are so powerful that I know I just can't do this review the justice it deserves. I stay so emotionally wrecked while reading these books that it takes me a couple days to recover. Fallout was no exception. It had me laughing, crying, and shaking with anger in the span of only a few pages.
In CRANK and GLASS we go through teenage Kristina's dance with "the monster", meth. We see her spiral deeper and deeper into addiction. When reading these two books from Kristina's point of view you just can't help but feel sorry for her, feel like it's not all her fault. But, while reading Fallout, which is from the point of view of her 3 teenagers, we see the fallout of Kristina's addiction of a completely different point of view. I found myself hating that same girl that I once felt sorry for. How dare she keep doing the things she's doing when she has these wonderful children that she should be living her life for?
We learn that her amazing mother has been through so much for her and that she could have gotten help, if she would have just reached out and accepted when it was offered to her time and time again. I don't know how anyone could read these books and even consider trying drugs afterward. Once you see how one person's addiction can spiral out of control and affect so many peoples lives.
These books should be required reading in every high school across the country in my opinion! Don't ban it, celebrate it! I suggest all of my readers who haven't read this series yet run out and buy it right now!!! What are you waiting for?
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